B U I J / G R O E N E W O U D - S C U L P T U R E S

ontwerp voor de IJsselbiënnale 2017

Proposal for the IJsselbiënnale, location Deventer, summer 2017

 

Aquatheek

'Stille Wetters' (aquatheek), 2013 - 1000 bottles with ditch water and algae, wood

A small water pavilion that is travelling along different places with the intention to form a growing water collection by the help of social participation. Designed for a new water technology campus the aquatheek is the equivalent of a library, a source of collected knowledge and a place of inspiration and concentration. Visitors donated a.o. water from little pools, fountains, the Dead Sea and the River Ganges. In that way, it is a permanently changing mirror of the international community that is related to the project.


ontwerp voor Waterbar op terrein Watercampus Leeuwarden

'Waterbar', 2016 - design for Watercampus Leeuwarden

Triple domed building (H2O molecule) on a hill, designed to be a social centre for students, guests and neighbours of the water campus. Different kinds of experimental waters and water vegetables can be consumed here. The facade is related to the Voronoi mathematics of sea foam. The bar is surrounded by (water) gardens.


Waterbar interieur (ontwerp)

'Waterbar', 2016 - design for Watercampus Leeuwarden


Waterplantentransplantatie

Aquatic plant transplantation, 2015

Frysian native, protected, edible plants are moved from a nature reserve to the centre of the city of Leeuwarden.

 

Seizure of the WaterCampus, 2016

Neighbourhood cooperation 'De Hoftuinen' plants an edible forest and takes its 'fruit-for-free' Knoop-kar in use.

 

Pied-à-terre

'Pied-à-terre', 2015 - inflatable - bisonyl, wood, blower

An inflatable sculpture constructed like a pineapple placed in the woods near Deventer. The history of this place gave rise to the concept: on these bare, common grounds of old trees, hay and sheep, the rule was: anyone who is able to build a house in one night and can light the fire inside and let the chimney smoke the next morning, is free to stay. In this case, considering the contemporary refugee problems, the smoke has an African outline.


Floating Point, 2012, Groenewoud Buij, Anningahof Zwolle met o.a.Henk Visch, Sjoerd Buisman, Guido Geelen, Olaf Mooij, Luc van Soom

'Floating Point', 2012 - wood, bisonyl

Installation in cooperation with an organic cheese factory with special Jersey cows. The tiny and lively brown cows were imported from the canal island Jersey and transported to the Frisian flatness. For them Le Mont Saint Michel is a dreamy point on the horizon. We decided to sew the holy consolation of their past, in cheese yellow trucker fabric for them to look at.

 

Interpark Groenewoud Buij, De tijd is kort en onherroepelijk, Park Groot Vijversburg Tytsjerk, Ankie Boonstra met o.a. Koen van Mechelen, Luc van Soom, Studio Makkink & Bey, Maria Roosen, Mathias Bernsen

'Interpark', 2008 - print on bisonyl, beach chairs

KORT IS DE TIJD EN ONHERROEPELIJK - Park Groot Vijversburg Tytsjerk - with Maria Roosen, Luc van Soom, Makkink & Bey, Koen van Mechelen

During several hours visitors of Central Park, New York, were photographed and merged together in one image of 18,5 meters wide and 5 meters high. Thus researching how people use the public park space in a big city, the personal distance we all feel becomes unavoidably sensible. While sitting on the grass chairs we become a part of the scene and at the same time experience the freedom we look at and the necessity to share this scarce common space.

 

Modderplein

'I have been there', 2012 - postcard project - Turnhout, Belgium

TWEESPOOR, De Warande - with Anne-Mie Van Kerckhoven, Guillaume Bijl, Luc van Soom, Cristian Bors & Marius Ritiu a.o.

Resting visitors in front of the park scene were asked to write their personal memories, thoughts or greetings on special postcards. Several hundreds of cards were later sent to random inhabitants of the town. For these surprised strangers free admittance to the manifestation was given.

 

Water sculpture Mercury Rising Groenewwoud Buij Sneek

'Mercury Rising', 2008 - stainless steel, polystyrene, polyester, chrome-painting

The sculpture of a splash was digitally designed, sawed in dozens of layers of foam and formed around a welded inner frame of stainless steel. Shaping and modelling was done in our workshop, epoxy application and spray painting in the hall of a shipbuilder. Because of its size the sculpture had to be transported to the final location in the city of Sneek by boat.

 

Water sculpture Caprice Groenewoud Buij Nunspeet

'Caprice', 2011 - stainless steel, polystyrene , epoxy - Nunspeet

 

Dreamer

'The Dreamer', 2014, Oss

In a densely populated district with a great variety of nationalities an outstretched public space was recently refreshed and restored. The work is based on the terms 'dream' en 'wake', essential ingredients for the inspiring entourage that was constructed and protected by the community. The adjoining benches were decorated with these two terms in all 52 languages that are spoken in this neighbourhood. The playground is extended with the sculpture of a dreamlike animal with its head in the clouds, seemingly fantasising and at the same time watching the horizon.

 

Urban Constellation Groenwoud Buij Stationshal Leeuwarden Opdracht NS

'Urban Constellation', 2000 - ceramic tiles 140 m2 - Railroad station, Leeuwarden

Pixelated panorama of a city by night, integrated in the Dutch nineteenth century railway station architecture. The work symbolises the appearance of the illuminated city in the middle of surroundings of dark meadows; the lights are urban made constellations of stars in heaven.

 

depot vullen met keramiek

'The Depot', 2014, Dalfsen

Living on historical grounds is a normal situation for the new residents in Dalfsen. Most authentic pottery from ancient times that is dug up is telling us stories about the past. In this project the community is invited to collect personal pottery and ceramics to make a new, fresh depot for the future. The response was enormous, an entire trailer full of teacups, vases, decorated plates, even a collection of ceramic geese was brought in. On a sunny Saturday the lot was buried, including letters and poems in little glass bottles. Finally the hole in the ground, filled to the brim, was covered with a tile floor, designed by the children and neighbours and completed with three curved objects based on the handles of the cups they brought in. The local historical association received the special cups we made: cups with eight different handles, the result of a multiform collection.

 

kopje met 8 oren

'The Depot', 2014, Dalfsen

 

'RC/ CR (Red Cross/Croix Rouge), 2009 - steel coated - Henri Dunantplein, Hillegom

The naming of a new square is mostly either historical or meaningful for that place, in this case it was simply not. Henri Dunant, founder of the Red Cross organisation had nothing to do with this spot or even village, so we decided to take this choice seriously and confirmed it with a big statue of the official red cross symbols: a cross, a half moon and the recently added symbol of neutrality, a crystal.

 

Beu

'Beu', 1999 - bisonyl (inflatable) - Elsloo

IN VERBELINGE, SKOR - Ooststellingwerf - with Allen Rupersberg, Job Koelewijn, Sjaak Langenberg, Georgina Starr, Carlo Mistiaan a.o.

Inflatable sculpture of a ten meters high headless bear that travelled during the summer months along the thirteen villages and thirteen landscapes in the Ooststellingwerf region in Friesland. Beu was the personification of the 'Bogeyman', a scary monster acting in the local oral history. This inflatable bear incidentally made a bèèèhh-noise which was related to the specific tongue spoken here. In every village the inhabitants were invited for a jointly portrait.

 

Beu

'Beu', 1999 - Den Haag Sculptuur 2005, City Hall, The Hague

GIANTS/ GIGANTEN - with Damien Hirst, Antony Gormley, Wim Delvoye, Stephan Balkenhol, Giuseppe Penone a.o.

duotak

Cubic Tree, 2013

The natural development of abstraction in the evolution of life on earth. Starting point is the discovery of an increasing number of square branches in the woods. Following our evolution theory the branches of trees eagerly want to become more orthogonal as they are aware of their functional use by people (e.g. buildings, houses). Timber connections would be easier to construct and thus less waste wood would be thrown away and processes would be more efficient. Trees will live a longer life, everybody happy.


Leegte Groenewoud Buij Zeewolde

'Leegte' (6 parts), 2002 - enamel, wood, galvanized steel - Zeewolde


Oerol

'Territory', 2004, temporary project, Terschelling

Seven border markers, made of cast sugar, were placed in the open field of Terschelling on the Oerol Festival. During the festival days they melted down in the sun.

 

Territory

'Territory' (7 pieces), 2004 - sugar - Terschelling

OEROL FESTIVAL

Ypeij
'De Drie Gratiën', 1999 - steel coated - Park Groot Vijversburg Tytsjerk
Utopia

'Utopia', 2000 - bisonyl (inflatable) - Bergkerk Deventer

SURFACE TO AIR, solotentoonstelling - dependance De Fundatie Zwolle / Het Nijenhuis Heino

Crucifer

'Crucifer', 2000 - polyestherfabric (inflatable) - Bergkerk Deventer

SURFACE TO AIR, solotentoonstelling

Scratch Groenewoud Buij Openluchttheater Shakespeare Amsterdamse Bos Amsterdam

'Scratch', 2002 - wood, bisonyl, rubber - Amsterdam

Amsterdamse Bos - with Amsterdamse Bostheatergroup

Stability  Groenewoud Buij Bureau Leeuwarden Fries Museum

'Stability', 1999 - wood, rubber

BETWEEN THE EARS, solotentoonstelling - Bureau Leeuwarden

Domestic Scene

'Domestic Scene', 1997 - wood, rubber, artificial leather

CALEIDOSCOOP, CBK Groningen - with Pjotr Müller, Sjoerd Buisman, Hans van Bentem a.o.

Between the Ears

'Between the Ears' - wood, veneer, epoxy

WILHELMINARING 2000 (nominations) - Apeldoorn - with Joep van Lieshout and Adam Colton.

Hink, stap, sprong
'Hink, stap, sprong', 1988 - wood, fresh clay
Shooting Party

'Shooting Party', 1992 - wood, artificial leather - W139 Amsterdam

EN SCÈNE- with Driessen & Verstappen, Fortuyn O'Brien, Krijn de Koning, Jan van de Pavert, Hans van den Ban a.o.

Luifel Groenewoud Buij En Scène W139 Amsterdam met o.a.Fortuyn O'Brien, Driessens en Verstappen, Krijn de Koning, Jan van der Pavert, Hans van den Ban

'untitled', 1992 - wood, corrugated iron - W139 Amsterdam

EN SCÈNE
Radius

'Radius', 1991 - wood, corrugated iron - Onstwedde

TUSSEN JUFFER EN BORG
Dutch Digest Groenewoud Buij De Bron CBK Groningen met o.a. Hans van Bentem, Sjoerd Buisman Sonja Oudendijk, Joseph Semah

'Dutch Digest', 1994 - wood, plastic, corrugated iron - Groningen

DE BRON, CBK - with Hans van Bentem, Sjoerd Buisman, Sonja Oudendijk, Joseph Semah a.o.

Bins

'Bins', 1994 - galvanized iron - Utrecht

TRAJECT, werfkelders - with John Blake, Marinus Boezem, Toine Horvers, Frank Mandersloot, Giny Vos a.o.

Instar Horologii Groenewoud Buij
'Instar Horologii', 1988 - acrylic on canvas
Groenewoud/Buij

Tilly A. Buij & Gerard A. Groenewoud

website

 

De Vier Evangelisten

De Vier Evangelisten 1983-1994

Gertjan Slagter, Tilly Buij, Gerard Groenewoud, Rins Boschma

works

 

Catalogus 'Resonance'
publicatie 'Resonance'

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